Chris Burden At Rockefeller Center
Unlimited Visibility
Lighting Design is helping Chris Burden turn heads at Rockefeller Center
by illuminating the artist’s latest installation, a 65-foot skyscraper
constructed from nickel-finished stainless steel Erector Set-style pieces. The sculpture, called “What My Dad Gave
Me,” is on view in the Channel Gardens, where the real Rockefeller Center Tower
forms the backdrop, from June 10-July 19.
It is presented by the Public Art Fund and hosted by Tishman Speyer,
co-owners of Rockefeller Center.
“Chris Burden's sculpture seems to fit completely with
the architecture of Rockefeller Center,” says UVLD lighting designer Gregory
Cohen. “It is both proud and
assertive, and therefore the lighting needed to make it punch out among its
surroundings.”
The sculpture was built in sections at Burden’s
studio in Topanga Canyon, California and assembled in Los Angeles. It was trucked cross-country and
hoisted into place at Rockefeller Center where Burden’s father, an engineer,
had once worked. “The fact that it
is both a model and the height of a real building is bizarre,” he told The New
York Times. “It is simultaneously
right and wrong from a traditional building perspective. And so it starts to play tricks on
you.”
“What My Dad Gave Me” is constructed from
approximately one million parts which replicate Erector set truss, a toy
patented in 1912. “It might look
like child’s play, but it’s anything but,” Burden reported to the Times. The artist had previously built a
28-foot model of the East River’s Hell Gate Bridge.
UVLD was tasked with lighting Burden’s installation, which
is art on the scale of an actual building. “By mounting fixtures on top of the buildings of Rockefeller
Center and across the street at Saks 5th Avenue, UVLD was able to create a
treatment that feels as permanent as the existing building lighting,” Cohen
explains. “This allows the viewers
to concentrate on visually exploring the piece -- day or night -- without being
distracted by production elements.”
Glenn Mahoney, senior
director at Tishman Speyer, served as the event producer. Gear was
provided by Scharff Weisberg.